![]() ![]() A handful of them are undeniable, ride-or-die masterpieces. None of them are superhero movies, unless you count The Last Temptation of Christ. Most of these films are part of the informal canon of Movies You Must See Before You Die. Along with his stable of vital collaborators, he’s given us tales of garrulous gangsters, volatile loners, conflicted holy men, comedic kings, empowered single moms, downtown losers, Wall Street winners, and an all-too-human messiah. Five decades later, Scorsese is now widely considered the greatest American filmmaker working today, as well as the torchbearer for keeping the concept of cinema as an art form alive. Back then, he was part of a wave of young, movie-mad kids who wanted to turn Hollywood inside out and reinvent genres for a new era. 20, it will be just short of 50 years to the day when Mean Streets, the director’s breakthrough movie, opened in his hometown of New York City and announced a major new talent. When Martin Scorsese’s true-crime epic Killers of the Flower Moon hits theaters on Oct.
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